I had my very first show in 1967. I had returned to Canada from Africa in 1965, and decided that I would like to do a series of paintings honoring our natural and human heritage as my own personal centennial project.
I was teaching in Burlington, Ontario, which is where we lived. I wanted to do these paintings, but thought it would be kind of fun to exhibit them, and see them on a wall somewhere, maybe sell them - I didn't expect they would sell but at least fellow teachers, friends and relatives, would come in and see them.
So I went to the best, most classy little gallery in Burlington, the "Alice Peck Gallery", introduced myself to Alice, and said I would like to continue with the Centennial project, explaining what it was. She said, "Well, I don't know about that. We just don't take people who walk in off the street you know," I assured her I knew that. She went on, "We have a very high standard here with a good stable of artists, and so it's quite an achievement to get a show; you have to prove yourself," I said I also realized that but I thought I would just try, and she said, "Where do you work, anyway?"
I told her I was the art teacher at Nelson High School. She said, "You know, I think I might have heard of you. Well, okay, I'll take a chance and give you a show."
And so the rest is history, is a sense. She had never had a sell-out before, and the show was sold out on the first night. That show was the start of my career.
Probably two-hirds of the show was human heritage, the rest natural heritage. This was an expression of an important part of my psyche, indeed my life. I try to observe, appreciate and depict our world of natural and human heritage. Unfortunately, this is being whiped out at an alarming rate. It is being replaced with a kind of "instant pudding" world ... slick, smooth, sweet, quick, convinenient and boring.
The really sad thing is that almost all the human heritage things I painted for that show, buildings that lasted 100 years and werre still there, were bulldozed within the next ten years. I began to think that if I picked a subject, it was the kiss of death.
1967
Centennial Show 1967
- Date1967
- LocationAlice Peck Gallery, Burlington, Ontario, Canada
Artworks
Featured Artworks
1967
Along Walker's Line
Acrylic on Masonite
23 1/2" x 35 1/2"
1967
Meadow Rattlesnake Point
Oil
16" x 19 3/4"
1967
Flying Red-tailed Hawk & Pine
Acrylic
18” x 36”
1967
Centennial Farm
Acrylic on Board
30” x 40”
1967
But Not Forgotten
Acrylic
15 1/2” x 10”
1967
Harrow
Acrylic
24” x 36”
1967
Round Window & Gingerbread
Acrylic
24" x 18"
1967
Chapel Doors
Acrylic on Masonite
32” x 24”
1967
Maple Leaf Fence
Acrylic
20 3/4” x 29”
1967
Guelph Line Fencepost
1967
Leaves & Grasses in Pool
Acrylic
15” x 20”
1967
Queen Anne’s Lace
Acrylic
1967
Plowed Field
Acrylic
30” x 40”
1967
Two Maple Leaves
Acrylic
6712
Pheasant in Snow
Oil
18” x 30”
1967
White-footed Mouse
1967
Winter Barn
Acrylic on Board
18 1/2” x 33 1/2”
1967
Pine and Maple
Acrylic
40” x 30”
1967
Mullein Leaves
Acrylic
People
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Canadian naturalist and painter
Robert Bateman
Robert Bateman (born 1930) is an iconic Canadian wildlife painter and conservationist. Globally celebrated for his photorealistic and hig...
Gallerist/Artist
Alice Peck Slavin (1929–2000)
Alice Peck Slavin was a prominent Canadian gallery owner, artist, and community leader, widely remembered as the founder of the Alice Pec...
Exhibitions
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Essays